UBI CARITAS ET AMOR. DEUS IBI EST.
UBI CARITAS ET AMOR. DEUS IBI EST.
Tuesday 18 November 2014
What's this Rodin?
The sculpture was originally titled Francesca da Rimini because it was in fact meant to be the 13th-century Italian noblewoman from Dante's "Inferno" (Circle 2, Canto 5).
Apparently, Francesca fell in love with her husband's younger brother, Paolo. If that's not bad enough, it seems she fell in love with Paolo whilst reading a story about Lancelot. (Hmmm ... I wonder what was in that book!).
Her husband Giovanni Malatesta, (which means John Headache) - he should have been called Ivor, (think about that for a moment).
Anyway, as I was saying before I interrupted myself, Francesca's husband Giovanni, discovers the couple reading the book, and more besides, and so he kills them.
In the sculpture, if you look carefully, the book about Lancelot is seen in Paolo's hand. You can't see it in this photo but the book is behind Francesca's back. I wonder what chapter he was reading just before he kissed her.
Also, in the sculpture, the couple's lips do not actually touch, suggesting that they were interrupted by Giovanni and killed before they actually kissed.
OK ... by now your mind should be doing somersaults as mine certainly is.
Imagine the scene for a moment. We have a couple secretly in love with each other. They read a book which somehow encourages them to take their clothes off and kiss. They are discovered by the irate husband who kills them both.
How? Does he shoot them? Attack them with a sword? Or hit them on the head with the book?
Unfortunately, we do not have the answer to that question; but as I explained earlier, all this is supposed to have happened in Dante's story "Inferno" years previously.
For some inexplicable reason Rodin decided it would be a good idea to make a marble statue of it all.
Obviously, he can't chisel a big block of marble from memory. And I doubt that Dante had any photos in his book from which Rodin could copy.
So the sculptor goes out searching for two really good looking models.
He finds a good looking man and a beautiful woman and asks them if they wouldn't mind taking off their clothes and kiss. After he recovers from the punch on the nose which the man gave him, Rodin tries to stop the nose bleed, and suggests they all go to the taverna for a few glasses of vino.
A bottle or two of wine later he explains calmly that he wants to make a large marble statue of Francesca and Paolo in an amourous embrace.
Well, with the wine and possible fame going to their heads they agree to pose for him; but the young woman is concerned about posing in the nude.
"What will mamma say when she sees me?" she asks Rodin.
"Don't worry about that," replies Rodin, "no one will be looking at your face!"
So they go to the studio, which is a marble stone throw's away from the taverna, take off their clothes, brush their teeth, and pretend to kiss.
One thing I've discovered in my research for this critique is that sitting naked in that particular pose on a piece of marble for hours on end can be very uncomfortable indeed; especially in the freezing cold. The male model in particular was somewhat nervous of the whole thing, especially considering where the lady's right knee is positioned.
Eventually, when the sculpture was finished it quickly became controversial because of what and who it represented. When critics first saw it in 1887, they suggested the less specific title Le Baiser (The Kiss).
And somehow, this made all the difference and it became very famous and a great work of art.
Which goes to prove ... It's all in the title folks, not in the mind. You can paint or sculpt anything you want, as long as you give it a great title it will become famous and admired.