Art Series - Rodin - The Thinker

A lot has already been said and written about Rodin's statue The Thinker. So a little bit more will do no harm.

The work depicts a nude man sitting on a rock. I thought it was a toilet but I am assured it is a rock.

He is seen leaning over, his right elbow placed on his left thigh, holding the weight of his chin on the back of his right hand. The pose is one of deep thought and contemplation. I thought it was constipation. But I am assured it is not so.

Let's consider the pose. It must be uncomfortable leaning forwards with your right elbow on your left thigh. Try it.

I did and fell off my chair bringing down the computer keyboard and mouse too. 

Why not lean forwards naturally with your right elbow on your right thigh?

And why sit naked? It must be very cold on one's posterior sitting like that on a rock. And how about ants? Very uncomfortable, I should say, if they start hunting around about one's privacy.

But what intrigues me the most is, what is this man thinking about?

The cost of living? Global warming? Saving the planet? The rate of inflation? Interest rates? Or where the heck has he put his clothes?

Join the discussion art lovers. Tell us what you think.

And suggest more subjects to be studied and discussed in this Art Series.

Rodin - The Kiss

 

As you know, I go to great lengths to provide a varied diet on this Blog. Different articles to cater for different tastes.

Today it is art. We focus on Auguste Rodin's statue in marble known as The Kiss, or Le Baiser in French, completed in 1882.

Originally entitled Francesca da Rimini because it was in fact meant to be the 13th-century Italian noblewoman from Dante's "Inferno" (Circle 2, Canto 5).

Here's the Dante story. Francesca fell in love with her husband's younger brother, Paolo. They fell in love whilst reading a story about Lancelot and Guinevere. 

Her husband Giovanni Malatesta, (which means John Headache), discovers them and he kills both of them.

In the sculpture, if you look carefully, the book about Lancelot is seen in Paolo's hand. You can't see it in this photo but the book is behind Francesca's backside . 

Also, in the sculpture, the couple's lips do not actually touch, suggesting that they were interrupted by Giovanni and killed before they actually kissed.

Are you thinking what I'm thinking?

For some inexplicable reason Rodin decided it would be a good idea to make a marble statue of the moment they were interrupted before kissing, or doing anything else like playing monopoly for instance.

Obviously, he can't chisel a big block of marble from memory, so I'm guessing he used two models to sit still in this pose as he chipped away at the marble.

Looking at the statue, it must have been very uncomfortable for both of them to sit still in this position for ages. Her back is half-twisted and she is leaning on him. It must have been freezing too sitting on a piece of cold marble.

The poor lad must have been very nervous considering where her knee is placed!

Mind you, she's probably not overjoyed either. She's probably whispering, "You move your hand one inch and I'll knock your head off!"

Eventually, when the sculpture was finished it quickly became controversial because of what and who it represented. When critics first saw it in 1887, they suggested the less specific title Le Baiser (The Kiss).

Strange, but true ... I think!

What's this Rodin?

Once again our art critique turns to a marble sculpture. This one is by Auguste Rodin and is known generally as The Kiss. It was completed in 1882.

The sculpture was originally titled Francesca da Rimini because it was in fact meant to be the 13th-century Italian noblewoman from Dante's "Inferno" (Circle 2, Canto 5).

Apparently, Francesca fell in love with her husband's younger brother, Paolo. If that's not bad enough, it seems she fell in love with Paolo whilst reading a story about Lancelot. (Hmmm ... I wonder what was in that book!).

Her husband Giovanni Malatesta, (which means John Headache) - he should have been called Ivor, (think about that for a moment).

Anyway, as I was saying before I interrupted myself, Francesca's husband Giovanni, discovers the couple reading the book, and more besides, and so he kills them.

In the sculpture, if you look carefully, the book about Lancelot is seen in Paolo's hand. You can't see it in this photo but the book is behind Francesca's back. I wonder what chapter he was reading just before he kissed her.

Also, in the sculpture, the couple's lips do not actually touch, suggesting that they were interrupted by Giovanni and killed before they actually kissed.

OK ... by now your mind should be doing somersaults as mine certainly is.

Imagine the scene for a moment. We have a couple secretly in love with each other. They read a book which somehow encourages them to take their clothes off and kiss. They are discovered by the irate husband who kills them both.

How? Does he shoot them? Attack them with a sword? Or hit them on the head with the book?

Unfortunately, we do not have the answer to that question; but as I explained earlier, all this is supposed to have happened in Dante's story "Inferno" years previously.

For some inexplicable reason Rodin decided it would be a good idea to make a marble statue of it all.

Obviously, he can't chisel a big block of marble from memory. And I doubt that Dante had any photos in his book from which Rodin could copy.

So the sculptor goes out searching for two really good looking models.

He finds a good looking man and a beautiful woman and asks them if they wouldn't mind taking off their clothes and kiss. After he recovers from the punch on the nose which the man gave him, Rodin tries to stop the nose bleed, and suggests they all go to the taverna for a few glasses of vino.

A bottle or two of wine later he explains calmly that he wants to make a large marble statue of Francesca and Paolo in an amourous embrace.

Well, with the wine and possible fame going to their heads they agree to pose for him; but the young woman is concerned about posing in the nude.

"What will mamma say when she sees me?" she asks Rodin.

"Don't worry about that," replies Rodin, "no one will be looking at your face!"

So they go to the studio, which is a marble stone throw's away from the taverna, take off their clothes, brush their teeth, and pretend to kiss.

One thing I've discovered in my research for this critique is that sitting naked in that particular pose on a piece of marble for hours on end can be very uncomfortable indeed; especially in the freezing cold. The male model in particular was somewhat nervous of the whole thing, especially considering where the lady's right knee is positioned.

Eventually, when the sculpture was finished it quickly became controversial because of what and who it represented. When critics first saw it in 1887, they suggested the less specific title Le Baiser (The Kiss).

And somehow, this made all the difference and it became very famous and a great work of art.

Which goes to prove ... It's all in the title folks, not in the mind. You can paint or sculpt anything you want, as long as you give it a great title it will become famous and admired.