Showing posts with label Lucas van Valckenborch. Show all posts
Showing posts with label Lucas van Valckenborch. Show all posts

Friday, 14 November 2014

What's this Lucas van Valckenborch?














Years ago, when I worked in London, I had this huge painting in my office. Not the original, of course, but a very large print. It hung on the wall in pride of place and was the first thing that caught the eye of anyone coming in to visit me.

Unfortunately I cannot make it any larger here, because, believe me, it needs to be full size to be better appreciated.

I believe the painting is called September 1585. I can't find any other title, perhaps that's when it was painted by Lucas van Valckenborch, a Flemish painter who lived between 1535 and 1597.

When I started this series of posts about art, the intention was to show various masterpieces which I classified as somewhat unusual or "odd" and see the humourous side behind the work of art. This particular painting is not "odd" in the sense of the word, but I found it at the time somewhat unusual because of the great details that it encompasses.

Look for example at the forefront in the left - people are bringing in a harvest of apples or fruit, and someone is trying to sell them to the two people by the table.

Behind the two men there's a horse drawn cart, a gathering of people and children playing in a circle.

Behind the cart there's a castle scene where people in a boat are trying to catch something hanging off a rope - another sport I suppose.

Then there's the landscape in the background with the castle, the trees, the clouds and the birds in the sky.

In the foreground, there's a feast being laid on a table surrounded by hungry people; and some people playing a game with a ball and a circle.

It's as if every bit of this huge painting is a scene in itself worthy of its own frame as a work of art.

Many a time at work, when I had a difficult managerial problem to solve, I stood infront of this painting to try to clear my head for a moment or two. I'm quite pleased that I have now found it and post it here for you to enjoy.

One thing though ...

I never worked out what that man on the extreme right facing the wall is doing. Any ideas?